Painter | Printmaker | Installation Artist
401 First Avenue
New York, NY 1001
Tel./Fax: 212.481.1758
E-mail: gtriana@artistregister.com
Gladys Triana Home Page
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Gladys
Triana
Painter | Printmaker | Installation Artist 401 First Avenue New York, NY 1001 Tel./Fax: 212.481.1758 E-mail: gtriana@artistregister.com Gladys Triana Home Page |
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ART: PUBLIC ART COMMISSIONS | ILLUSTRATIONS | EDUCATIONAL AND FILM PROJECTS
BIOGRAPHY: EDUCATION | EXHIBITIONS | AWARDS AND FELLOWSHIP | PRIVATE & PUBLIC COLLECTIONS
PUBLICATIONS:
CATALOGUES & BROCHURES | MAGAZINES | ENCYCLOPEDIAS & BOOKS
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Public Art Commissions |
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1972 |
Homage to the Farmer, Iron Sculpture at Pamplona Airport Pamplona, Spain |
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1967 |
Design and Construction of Ceramic Lamps with Wood, commissioned by Instituto Nacional de la Industria Turistica, Habana, Cuba |
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1966 |
The Umbrella, mural in wood, metal, and sand, at Loipa Restaurante, commissioned by Instituto Nacional de la Industria Turistica, Habana, Cuba |
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Ephemeral Image, mural: oil on canvas, at Andes Restaurante, Habana, Cuba |
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1965 |
Heritage and Roots, mural in wood at Habana Airport, commissioned by Instituto Nacional de la Industria Turistica, Habana, Cuba |
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1964 |
The Mystic Foliage, mural: oil and wood, at Cienfuegos Hotel, Cienfuegos, Cuba |
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Illustrations |
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Felipe Lázaro, Cuban Women Poets in New York "A Brief Anthology" (Madrid: Editorial Betania, 1991) (Book Cover) |
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Linden Lane Magazine (New Jersey: Princeton Edition, December 1991) (Magazine Cover) |
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José Triana, Theater ( Madrid: Verdum Editorial, 1991) (Book Cover) |
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Linden Lane Magazine ( New Jersey: Princeton Edition, Summer 1990). Ills. |
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Magaly Alabau, Ras, Poem Book. (New York: Medusa Editions, 1987) (Book Cover) |
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Mariel Art Magazine (New York: Mariel Edition, 1987) (Magazine Cover) |
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Magaly Alabau, Electra, Clitemnestra (Santiago de Chile: El Maiten Edition, 1986) (Book Cover) |
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José Martí, El presidio Politico en Cuba (New York: Mariel Edition, Winter 1985). Ills. |
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Alberto Baeza Flores, Carta a Mariel (New York: Mariel Edition, Winter 1985). Ills. |
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Isel Rivero, Medea (New York: Mariel Edition, Winter 1985). Ills. |
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Severo Sarduy, Unidad de Lugar, Linden Lane Magazine (New Jersey: Princeton Ed., July 1982). Ills. |
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Natalio Galán, San Pascual el bailón, Linden Lane Magazine (New Jersey: Princeton Ed., 9 1982). Ills. |
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Marta Traba, Habla, Linden Lane Magazine (New Jersey: Princeton Ed., July-Sept., 1982). Ills. |
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José Triana, Por qué escribo teatro (New York: Escandalar, Revista de Literatura, June 1982). Ills. |
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Educational & Film Projects |
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1987-1992 |
Created and Implemented, Children Expressions Mural Program at the Community School Board District #32 |
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1975 |
Credit Film Background, The Lie , Roberto Fandino, director. Madrid, Spain |
Biography
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Born in Camagëy,
Cuba, 1937 |
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Education |
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M. A., Long Island University, Brooklyn, New York, 1977 |
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B.A., Mercy College., Dobbs Ferry, New York, 1976 |
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Etching, silkscreen., San Fernando Academy, Madrid, 1972 |
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Courses in Philosophy., Oriente University, Santiago de Cuba, Cuba, 1955 |
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School Teacher., Teacher Educational School, Bayamo, Cuba, 1954 |
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Solo Exhibitions |
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1997 |
Espace Nesle, Paris, France |
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Trapecio Gallery, Lima, Peru |
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1995 |
The Bronx Museum of the Arts, Bronx, NY |
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1991 |
Museum of Modern Art, Santo Domingo, Republica Dominicana |
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Nader Gallery, Santo Domingo, Republica Dominicana |
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1990 |
Museum of Contemporary Hispanic Art, New York, NY |
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1988 |
Cuban Museum of Art and Culture, Miami, FL |
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1975 |
Intar Gallery, New York, NY |
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1974 |
Sarduy Gallery, New York, NY |
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1971 |
Tramontana Gallery, Madrid, Spain |
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1964 |
Ateneo de Marianao Gallery, Habana, Cuba |
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1963 |
Lyceum Gallery, Habana, Cuba |
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1962 |
Lyceum Gallery, Habana, Cuba |
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Group Exhibitions |
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1998 |
Hispanic Arts Fight A. I. D.S. American Red Cross, Bergen Crossroads Chapter, Englewood, NJ |
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The Prasad Project, Manhattan Center Studio, New York, NY |
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Breaking Barriers; Selection from the Museum of Art's Permanent Contemporary Cuban Collection, Tampa Museum of Art, Tampa, FL., The Snite Museum of Art, University de Notre Dame, Notre Dame, IN., Latin American Art Museum, Long Beach, CA |
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1997 |
Contemporary Latin American Art, The Ulla & Greger Olsson Art Collection, Brussels, Konstcentrum I, Ronneby, Sweden |
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Crossing Borders: Contemporary Art by Latin American Women, College of New Rochelle, Castle Gallery, New Rochelle, NY |
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Fourth Annual Retablo and Ex-Voto Exhibition & Auction, Mexic-Arte Museum Austin, TX |
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Talk Back ! The Community respond to the Permanent Collection, The Bronx Museum of The Arts, Bronx, NY |
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Braking Barriers: Selection from the Museum of Art's Contemporary Cuban Collection, Museum of Art, Fort Lauderdale. FL (traveling exhibition) |
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1996 |
Latin American Book Arts, Mexic - Arte Museum, Austin, TX |
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Nine Cuban American Artists, Kingsborough Community College, Art Gallery, Brooklyn, NY |
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3rd Annual Retablo and Ex-Voto Exhibition, Mexic - Arte Museum, Austin, TX |
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1995 |
Latin
American Book Arts, Center for Book Arts, New York, NY. |
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Latin American Prints, Robert Blackburn Workshop Collection, Museum of Modern Art, Santo Domingo, República Dominicana |
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1994 |
Table of Contents/ Book as Art, Ceres Gallery, New York, NY |
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Symbols and Revelations, A Latin American Exhibit, Henry Street Settlement, New York, NY |
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Gathering Medicine Exhibition, Art in General, New York, NY |
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Pequeno Formato Latinoamericano, Luigi Marrozini Gallery, San Juan, Puerto Rico |
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1993 |
Miami Art-93, Convention Center, Gary Nader Gallery, Miami, FL |
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Combined Motions: Music and Art, Adriana Landon Gallery, New York, NY |
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Books-Three Approaches, Sotavento Gallery, Caracas, Venezuela |
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Beyond the Boundaries, Women's Caucus for Art, Insights Gallery, Seattle, WA |
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Books- Three Approaches, Marta Morante Gallery, New York, NY |
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Art Faculty Selection, Housatonic Museum of Art, Bridgeport, CT |
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1992 |
Miami Art-92, Convention Center, Gary Nader Gallery, Miami, FL |
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Books, Books and Books, Humphrey Gallery, New York, NY |
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1st Annual Masters Miniature, Latin American Painters, Gary Nader Gallery, Miami, FL |
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Revealing the Self: Portrait by Twelve Contemporary Artist, PaineWebber Gallery, New York, NY |
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Anniversary Celebration Exhibition, Gary Nader Gallery, Miami, FL |
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Latinoamerican Artist from New York,Javier Lumbreras Gallery, Miami, FL |
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Five Century after the Collision: Five Contemporary Artist Vision, The Art Gallery, Brooklyn College, New York, NY |
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The
Impact of two Worlds, Artspace, New Haven, CT |
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1991 |
African American and Latino American from USA, Bellas Artes Museum, Santiago de Chile, Chile |
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Inaugural Exhibition, Marta Morante Gallery, New York, NY |
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Group Show, Strangalleriet, Sodertalje, Sweden |
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Caribean Exhibition, Workshop Creative Art Gallery, New Heaven, CT |
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1990 |
Lines
of Vision: Drawing by Contemporary Women |
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Awakening / Despertar, Discovery Museum, Bridgeport, CT |
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In Praise of the Americas, Salena Gallery, L.I.U. Brooklyn, NY |
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Sculpture of the Americas into the Nineties, Museum of Modern Art of Latin America, Washington, D.C. |
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China, June 4th, 1989, Asian American Art Center, at Institute Contemporary Art, P.S. 1. Museum of Long Island City, Long Island City, NY |
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Women History Month, Queens Borough Library, Queens, NY |
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Pan American Perspectives, Pan American Society of Connecticut, The West Hartford League Art Gallery, CT |
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1989 |
China, June 4th, 1989, Asian American Center at Blum Helman Warehouse Gallery, Soho, New York |
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Earth, Wind & Fire, Straus Gallery, New York, NY |
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Lines
of Vision: 100 Drawings by Contemporary Women |
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International Biennial of Prints, Museum of Fine Arts, Bharat Bhavan, Bhopal, India |
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1988 |
Latin American Graphic Arts Biennal, Museum of Contemporary Hispanic Art, New York, NY |
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Paper Vision II, Housatonic Museum, Bridgeport, CT |
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1987 |
Art of the Americas, International Gallery, Washington D.C. |
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Imaginations and Inventions, Works on paper by four Latin American Artist, Flushing Gallery, Flushing Council on Culture on the Arts, Queens, NY. |
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Contemporaneous, Bohio Gallery, New York, NY |
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1986 |
Sacred Secret, Todd Capp Gallery, New York, NY |
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Hispanic Roots, Mills Pond House Museum, St. James, NY |
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Two of the New, Museo del Barrio, New York, NY |
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1985 |
Trends, Museum of Contemporary Hispanic Art, New York, NY |
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Inaugural Exhibit, Museum of Contemporary Hispanic Art, New York, NY |
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1982 |
Art Escandalar, Meeting Point Gallery, Miami, FL |
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1979 |
New York Through Latin Eyes, Queens College, Art Gallery, Queens, NY |
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Group Installation, Cayman Gallery, New York, NY |
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1977 |
The 7th Annual Exhibition, The Bronx Museum of the Arts, Bronx, NY |
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1976 |
Iman; New York, The Center for Inter-American Relation, Latin American Exhibition Spanish-American Painters & Sculptures, New York, NY |
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Iman; New York, Instituto de Cultura Puertorriquena, Museo de Arte de Ponce, Ponce, Puerto Rico |
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1975 |
International Panamerican Exhibition, Museum of Science & Industry, Chicago, IL |
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First & Second Cuban Festival, Cuban Cultural Center, Cathedral of St. John the Divine, New York |
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Group Show, Cisneros Gallery, New York, NY |
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1972 |
Inaugural Exhibit, Mecenas Gallery, Madrid, Spain |
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Biennial of Segovia, Segovia, Spain |
| 1971 | Group Exhibit, Sala de Arte Gallery, Madrid, Spain |
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Salon de Pinturas, Casa de Malaga, Madrid, Spain |
| 1967 | Pintores Cubanos, Museo Universitario de Artes y Ciencias, Universidad Nacional Autonoma de Mexico, Mexico, D.F., Mexico |
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1962 |
Salon Nacional, Palacio de Bellas Artes, Habana, Cuba |
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Awards & Fellowship |
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1993 |
Cintas Fellowship, New York, NY. |
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1990 |
The Queens Borough President of the City of New York, Outstanding Achievement in Visual Art. Queens, NY. |
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Masters and Apprentices Exhibit, Special Mention. The New York City Board of Education. Brooklyn, NY. |
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1975 |
International Panamerican Exhibition, Honorary Mention, Museum of Science and Industry, Chicago, IL. |
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1974 |
National Clairol Loving Care Art Program, Educational Scholarship, Washington. |
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1964 |
Ateneo de Marianao Gallery, Art Competition: 3rd Prize. Havana, Cuba. |
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Jury/Panel Member |
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1990 |
Panel Member, "First Latino American Conference" at Ollantay Gallery, Queens, NY. |
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1979 |
AHA/CETA Artist Program, Member of the Screening Committee, New York |
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Private & Public Collections |
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Museum of Arts, Fort Lauderdale, Florida. |
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Museo de Bellas Artes, Havana, Cuba. |
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Museo de Bellas Artes, Santiago de Chile, Chile. |
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The Bronx Museum of the Arts, Bronx, New York. |
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Museo de Arte Moderno, Santo Domingo. |
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Housatonic Museum, Bridgeport, Connecticut. |
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Instituto de Cultura Puertorriquena, Puerto Rico. |
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Queens College Collection, Queens, New York. |
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Asian American Art Center, New York. |
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Arnold Ashkenazy Collection, Los Angeles. |
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Augusta Barreda Collection, Caracas, Venezuela. |
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Robert Blackburn Workshop Collection, New York. |
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Georgina Codina Collection, Miami, Florida. |
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Elba Collazo Collection, New York. |
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Fatima El Alami Collection, Paris, France. |
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Jack Kubilium Collection, New York. |
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Romeo Montalvo, Jr Collection, Austin, Texas. |
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Francisco Mestre Collection, Miami, Florida. |
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Pedro Monga & Perla Capriles Collection, Caracas, Venezuela |
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Federico de Montalvo Collection, Madrid, Spain. |
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Ulla & Greger Olsson Collection, Brussels, Belgium. |
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Rogelio Pereda Miranda Collection, Mexico D.F., Mexico. |
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Bruno Saomaschini, Roma, Italy. |
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Lisa Teisseire Collection, Paris, France. |
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Alain Tergny Collection, Paris, France. |
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Elena Zayas Collection, Miami, Florida. |
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Catalogues and Brochures |
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Yásmin Ramirez, "La Rueda del Tiempo y su Destino," in Gladys Triana, Acuarela, Paintings y Libros, exhibition brochure (Lima: Galeria Trapecio, 1997). pp. 1-2 |
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Ana Tiscornia, " A Proposito de Libros," in Gladys Triana, Acuarelas, Paintings, y Libros, exhibition brochure (Lima: Galeria Trapecio,1997). p. 5 |
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Zoé Valdés, "Gladys Triana: Como el Roce Furtivo del Framboyán," in Jeux de Memoire, exhibition brochure (Paris: Espace Nesle 1997). |
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Jorge H. Santis, "Breaking Barriers," Selection from the Museum of Art's Permanent Cuban Collection, catalogue foreword ( Fort Lauderdale: Museum of Art, 1997). pp. 1-9 |
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Carol Damian, "Breaking Barriers, Forty Years of Cuban Art" in Selection from the Museum of Art's Permanent Cuban Collection, catalogue essay, ( Fort Lauderdale: Museum of Art, 1997). pp. 11-35 |
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Greger Olsson, "Contemporary Latin American Art," from The Ulla and Greger Olsson Contemporary Latin American Art Collection, catalogue introduction (Ronneby: Konstcentrum I, 1997). p. 2 |
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Marisol Nieves, "Exile and Reconstruction of Identity in the Art of Gladys Triana," in The Path To The Memory, exhibition brochure ( Bronx: The Bronx Museum of the Arts, 1995). |
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Brian Hannon, "Latin American Book Arts", introduccion catalogue (New York: Center for the Book Arts, 1995). p. 43 |
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Luigi Marrozzini, Pequeño Formato Latinoamericano, introduction essay, (San Juan, Puerto Rico: Luigi Marrozzini Gallery, 1994). pp. 87-137 |
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Marisol Nieves, "Revelation and Recovery in the Art of Gladys Triana," in Books: Three Approaches, catalogue essay (New York: Marta Morante Gallery, 1993). |
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Lee Scharf, "The Awakening / El Despertar", catalogue introduction (Connecticut: The Discovery Museum, 1991). p. 35 |
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Marianne de Tolentino, "A Reading of Gladys Triana Painting," in Gladys Triana, Dibujos, Pinturas e Instalación, catalogue essay (Santo Domingo, Museo de Arte Moderno, 1991) pp. 4 - 6 |
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Nemesio Antunez, "17 Artistas Latino y Afroamericanos en USA," catalogue introduction (Santiago de Chile: Museo Nacional de Bellas Artes, 1991) .p. 4 |
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John Stringer, "Gladys Triana Art," in Gladys Triana, Movement- Fragmentation, catalogue introduction (New York: Museum of Contemporary of Hispanic Art, 1990). p 6 |
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Nilda Peraza, Gladys Triana, Movement-Transformation, catalogue foreword( New York: Museum of Contemporary Hispanic Art, 1990). p. 5 |
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Nicole Marwell, "The Process of Control," in Gladys Triana, Movement-Transformation, catalogue essay (New York: Museum Contemporary of Hispanic Art, 1990). pp. 11 - 13 |
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Giulio V. Blanc, Gladys Triana /Reynaldo Arenas, catalogue essay (Miami: Cuban Museum of Art and Culture, 1988) pp. 4 - 5 |
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John Stringer, "Gladys Triana, Collage," in Art of the Americas, catalogue essay (Washington: International Gallery, International Monetary Foundation, 1987). |
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Jo-Ann Jones, "Imaginations and Invention, Work on Paper: Latin American Artists," foreword and acknowledgments (Queens: Flushing Council of Culture on the Arts, Flushing Gallery, 1987). p. 2 |
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John Stringer, "Gladys Triana" in Imaginations and Inventions,Work on Paper: Latin American Artists, catalogue essay (Queens:Flushing Council of Culture on the Arts, Flushing Gallery, 1987). p. 3 |
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Daniel Serra Badué, "Gladys Triana", catalogue essay (New York: Sarduy Gallery, March 11, 1974). |
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Eduardo Abela, "Gladys Triana, Nuevas Pinturas, in Gladys Triana, Pinturas, opening essay (Habana: Lyceum Gallery, February 27 1962). |
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Magazines |
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Francine Birbragher, "Breaking Barriers," Selection from the Fort Lauderdale Museum of Art's Permanent Contemporary Cuban Collection,"Art Nexus, No. 28 (Columbia: April -June, 1998) pp. 128-129 |
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Christine Frérot, "Gladys Triana, Espace Nesle." Art Nexus, No. 25 (Colombia: July-Sept.1997). pp. 131-132 |
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Mónica Amor, "Gladys Triana". Art Nexus, No. 18 (Colombia: Oct.-Dec.,1995). pp. 127-128 |
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Victor Zamudio Taylor,"Latin American Book Arts," Art Nexus, No. 16 (Columbia: April-June, 1995). pp. 129 - 130 |
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Edward J. Sullivan, "The Latinoamerican Explosion." Art News (New York: Summer, 1993). p.134 |
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María del Carmen Ichaso, " Gladys Triana," Vanidades (Miami: 1995).p. 18 |
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Gale Jackson, "Gathering Medicine" Art in General Manual (New York: 1993-1994). pp. 47-107 |
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Grazziana La Roca,"Ricardo Benaim, Claudia Bielinsky, Gladys Triana," Art Nexus, No. 6 (Columbia: July-Sept. 1993) |
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Latina, Heresies a feminist publication on Art (New York: Heresies No 27, 1993). p. 58 |
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Carol Damian, "Artistas Latinoamericanos," Art Nexus No. 4 (Columbia: August, 1992). pp. 151-152 |
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Rosa Francia Esquéa, "Pintora Cubana Inaugura Exposiciones" Temas, Hoy (Santo Domingo: 11 7- 91) 2B |
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Bélgica Rodriguez, "Gladys Triana, Movement-Fragmentation", Arte en Colombia, No 44 (Colombia: July-Sept.,1990). p. 120-121 |
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Jaime Revilla, "Gladys Triana en New York", Revista Temas (New York: April 13, 1974) |
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Venáncio Sanchez Marín, "Crónica de Madrid, Revista Goya, No. 106 (Madrid: February- March, 1972). p. 266 |
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Newspaper |
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Elida Román, "Exilio de la pintora cubana Gladys Triana aparece en Los Juegos de la Memoria" El Comercio, Cultural, De Artes Plásticas (Lima: Sept. 15, 1997) |
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Denise Guevara, "Los Juegos de la Memoria." Diario Gestión, Cultural/Sección B (Lima: Sept. 4, 1997) |
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Consuelo Vargas, "Los Juegos de la Memoria," El Comercio, Cultural (Lima: Sept. 8, 1997) |
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Alan King, "Fine Paper a sensual delight to hand and eye," The Ottawa Citizen (Ottawa: May 21, 95) B8 |
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Rodolfo A. Windhausen, "Arte Latinoamericano: Mitos y Leyendas," La Gaceta, Tucuman (Argentina: April, 2-1995). p. 4 |
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Adriana Collado, "Books, Three Approaches," Noticias de Arte (New York, May 1993) |
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"De Nueva York a la Mercedes !Algo más que Libros!" Semanario Chacao (Caracas: June 1993) p. 9 |
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"Libros: 3 Aproximaciones, 3 artistas Latinoamericanos" El Nacional (Caracas: June 3, 1993) |
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Gustavo Valdés, "El Color de la Palabra: 32 Artistas Cubanos", Interview, Stet Magazine (New York: vol 1, No. 2, Special Edition . Winter 1992). |
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Abil Peralta, "Anotaciones estéticas para una definición de la pintura de Gladys Triana," Aquí La Noticia, Suplemento Cultural, No. 904 (Santo Domingo: June 20, 1992). pp. 4-5 |
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Rodolfo A Windhausen, "Gladys Triana y su Pintura," El Nuevo Herald, Art Section ( Miami: 2-7, 1992) pp. 10 - 3D |
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Abil Peralta, "Crónica de New York," Correo de Arte Hispano, No. 5 (Santo Domingo: 1992) |
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Vivian Gaynor, "An exhibition in New Heaven celebrates Caribbean Diversity", New York Times (Connecticut: Oct. 6, 1991). p. 22 |
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Marianne de Tolentino, "Las Memorias de Gladys Triana," Artes Visuales, El Listin Diario (Santo Domingo: 10 de Noviembre de 1991). 2V |
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Giovanni Ferruall, "Pintora Cubana inaugurará exposiciones en República Dominicana" El Nacional, Qué Pasa (Santo Domingo: Nov. 6, 1991) |
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Marianne de Tolentino, "El 6 y el 7 dos esperadas exposiciones de la pintora Gladys Triana" Listin Diario, Arte Latinoamericano (Santo Domingo: Nov. 6, 1991). p. 12 |
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"Gladys Triana Expondrá" Listin Diario, Sociales (Santo Domingo: Nov. 6, 1991). p. 8 |
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Waldemar
Sommer, "Venidos de USA," El Mercurio (Santiago de Chile: 12-17,
1991). E 7 |
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Samuel B Cherson, "La escultura de las Américas a final de Siglo." El Nuevo Día Arte (Puerto Rico: 2-3, 1991). p. 12-13 |
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John Daxland, "All Torn Up," Daily News, Art Section (New York: 1-12, 1990) |
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Henry Ficher, Gladys Triana reaparece con "Movimiento y Frafmentación" Noticias del Mundo, Panorama Cultural (New York: Jan. 8, 1990). p. 6B |
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"Celebración de la Herencia Hispana en la Universidad de Long Island" Noticias del Mundo, Sección Educacional (New York: Oct. 16, 1990). p. 11 |
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Armando Alvarez Bravo, "Vitalidad, Dinámica y Forma en el Museo Cubano", El Nuevo Herald, Galería (Miami: March 13, 1988). p. 9C |
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Helen Cohen, "A Bonus at the Cuban Museum", The Miami Herald (Miami: March 18, 1988) |
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Meredith Hall, "Arts from Ports Far and Near, Gladys Triana." Art Speaker Magazine, (New York: Vol. IX, No. 4. Oct. 16, 1987 ). p. 9 |
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Samuel Román Delgado, "Exposición Colectiva en el Museo del Barrio", Noticias del Mundo, Panorama Cultural (New York: July 7, 1986). p. 18 |
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Giulio V. Blanc, "Cuba's Brain Drain: Exile Artist in New York," Unveiling (New York: Sept./Dec., 1985). pp. 14-15 |
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Giulio V. Blanc, "Pintores Prohibidos," Unveiling ( New York: Jan. 1983) |
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Paul Piket, "Latin Art Exhibit." Queens College Gallery, Phoenix ( New York: May 22, 1979). p. 2 |
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Dora Rubiano "Colectiva de Artistas en la Galeria Cayman" Diario La Prensa (New York: Jan. 16, 1979). p. 25 |
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Aida Gonzalez Harvilán: "Gladys Triana: Pintora que Pinta la Mujer" Impacto (New York: 5-31, 1977) |
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Doroty Hall, "Art and Artists", Park East, Suplement of Art (New York: Jan. 21, 1977) |
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Pedro Monge, "Presencia Latino-Americana en New York" Vanguardia ( New York: 11-7, 1976). p. 21 |
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Mario Peña, "La Pintura de Gladys Triana" El Tiempo Hispano ( New York: 3-30, 1975) |
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José Corrales, "Gladys Triana Pinta un horror extraño", El Tiempo Universal (New York: 3-30, 1974). p. 21 |
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Galerías, Nuevas Exposiciones, ABC. Newspaper ( Madrid: Dec. 2, 1971) |
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Encyclopedias & Books |
| Robin Kahn, Time Capsule, A Consice Encyclopedia by Women Artists (New York, 1995). pp. 340-341 |
| Judith Colliscan Van Wargner, Lines of Vision, Drawings by Contemporary Women (New York: Hudson Hill Edition, 1989) |
| José Gómez Sicre, Art of Cuba in Exile, Gladys Triana, essay (Miami: M.C. Printer Edition, 1987) |
| Who's Who in Art, International Biography Dictionary, (London: British Edition, 1982). p. 666 |
| Enciclopedia de Cuba, Art Section ( Miami: 1975) |
| Edmundo Desnoes, Pintores Cubanos ( Habana: Ediciones R, 1962). p. 253 |
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